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Versatile said:I place higher standards on a column that, based on what you insinuated, takes another writer to the cleaners.
Versatile said:Would anyone flinch if another author had written the same thing?
Double Down said:BTExpress said:There is an expectation that a biographer provide insight, not merely deep reporting.
I just don't really get the demand that he "take a stance."
Many biography subjects (or their lives) are so complex that it's hard to reduce them that way. The Jobs book told what kind of a person he was, what kind of a boss he was, what kind of an obsessive perfectionist he was.
Do we really need Isaacson's opinion that, "Apple might have been better served had Jobs been more XXXXXXX or less XXXXXX " ?
Or can we not form those opinions on our own?
To me, once an author's stance has been made clear, it colors everything else he writes.
You could read a book about Peter the Great whose author takes the stance that he was a hero. And another whose author takes the stance that he was a horrible, evil tsar. I don't want to read either of those, because I know he was both incredible and terrible. Give me a book that tells me both and doesn't try to steer me into thinking one way or another. If an author can lend some perspective, that's great. But otherwise, I don't need the author to take a stance.
And just because "that story has been told before" is no reason not to write it. How many biographies on Lincoln or Shakespeare are there? Don't most of them cover familiar ground? I know 95 percent of the Paterno story is old news to most of you, because you're sports journalists. Most people aren't. It's hard to believe, but there are great swaths of people who, even today, have no idea who Joe Paterno was.
I think the hardest writing -- and the best writing, typically -- is the kind of writing where the facts are presented beautifully neutral, but it a way where people who deserve score are hung by their own words and actions, not the writer's voice. Scott Price does this all the time. Katherine Boo as well. Eli Saslow. Michael Kruse. Susan Orlean. David Grann. John Jeremiah Sullivan. There are plenty more.
I love writers who are at their best when they have thunder behind their words. Pierce. Tabbi. Pat Jordan. Tommy Craggs.
But I think it's a bigger challenge to write in a way that lets the subject force the reader to make up his/her mind. And the reward is often greater. One of my favorite features every written is called "The Trophy Son" by Randall Patterson. It ran in the Houston Press. It was in BASW seven or eight years ago. It's about a high school kid whose parents decided to sue their son's coaches when he was benched. And it's written a way where it absolutley makes the parents look ridiculous, but if the parents read it, I'm convinced they would think it was completely sympathetic. You can interpret it how you wish.
http://www.houstonpress.com/1998-01-15/news/the-trophy-son/
Jim_Carty said:Versatile said:Would anyone flinch if another author had written the same thing?
To most reviewers, this isn't about Posnanski. They don't know all the inside baseball that goes on in our business or this site. They're not ripping Joe because they have some ax to grind with him or his style, they're ripping a guy who was at ground zero of the biggest scandal of this generation in college sports, with better access than any other journalist, and whiffed. The only reason they're interested and reviewing the book is because it had the opportunity to give us unique insights ... and it fails to do so.
He mostly whiffed. That's the issue, at least with the reviewers, and yes, I firmly believe the reaction would have been the same with any other author who had the same access and wrote the same book.
Stitch said:Single hazy event redux.