Here's why I ask:
I understand requiring experience for a job, but I'm wondering if it's expected that a writer new to a paper is expect to bring his or her own audience to a new paper.
If I move from a rural Georgia paper to Shreveport or something, how would my "highly active Twitter account" have any bearing on my new gig?
Perhaps this ad means "active" in terms of posts, and I could grasp that. But it does seem like employers are looking at the number of a person's followers. (And of course, "active" doesn't necessarily equal "quality," but I digress...)
For national writers, I get it -- I like someone, I'll track that person down. But local and hyper local? If I'm a reader in Thomasville and Local Writer moves to Shreveport, I'm un-following that person and signing on to the new one.
When you leave a job, do you cancel your work-specific Twitter? Who do those followers "belong" to?
Those without established digital chops - a highly active Twitter account, for starters - need not apply.
I understand requiring experience for a job, but I'm wondering if it's expected that a writer new to a paper is expect to bring his or her own audience to a new paper.
If I move from a rural Georgia paper to Shreveport or something, how would my "highly active Twitter account" have any bearing on my new gig?
Perhaps this ad means "active" in terms of posts, and I could grasp that. But it does seem like employers are looking at the number of a person's followers. (And of course, "active" doesn't necessarily equal "quality," but I digress...)
For national writers, I get it -- I like someone, I'll track that person down. But local and hyper local? If I'm a reader in Thomasville and Local Writer moves to Shreveport, I'm un-following that person and signing on to the new one.
When you leave a job, do you cancel your work-specific Twitter? Who do those followers "belong" to?