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Because they'd get lost in his jacket?And yet if he were left alone with any of our women for ten minutes, they would be lost to us forever.
Because they'd get lost in his jacket?
He died 17 years ago.Okay, that's funny.
This thread has made me nostalgic. Look at those names. Whatever happened to @WaylonJennings? Good dude, and he cared about writing so much.
He died 17 years ago.
Strange fact: He was supposed to be on the flight with Buddy Holly, etc., but he gave up his seat.
EDIT: Hah, sorry, I thought you meant the actual dude...
Interesting to go back and reread this thread.
Waylon probably got out. It's the smart move. Hard to make a living in magazines these days.
GQ, Esquire and Vanity Fair are all struggling to find new editorial identities.
Graydon Carter was easy to mock at VF, but is proving impossible to replace.
GQ and Esquire are both gut renovations. Too early to tell which will win over more luxury advertisers, and with them that audience of young men interested in watches, shaving and British tailoring. But the Fielden years at Esquire hurt the brand more than helped it.
I'm struggling to think of any noteworthy literary journalism either title has done since the regimes change.
The New Yorker remains best in show. New York magazine is still very good, and will change some more once the Adam Moss imprint is gone and the magazine is fully David Haskell's. Jake Silverstein is killing it at NYT Magazine. The best-looking book around is another Times product, T Magazine.
Rolling Stone is still limping along.
Harper's, the Atlantic, 5280, the California Sunday Magazine are all good. National Geographic, Smithsonian, Outside, Texas Monthly. The same.
Adapt or die.
Anybody ever pick up a British GQ? Those things are incredibly thick -- at least double the American edition on any given month. To me, it says a lot about the respective markets and the appetite for the product in the respective markets.
Interesting to go back and reread this thread.
Waylon probably got out. It's the smart move. Hard to make a living in magazines these days.
GQ, Esquire and Vanity Fair are all struggling to find new editorial identities.
Graydon Carter was easy to mock at VF, but is proving impossible to replace.
GQ and Esquire are both gut renovations. Too early to tell which will win over more luxury advertisers, and with them that audience of young men interested in watches, shaving and British tailoring. But the Fielden years at Esquire hurt the brand more than helped it.
I'm struggling to think of any noteworthy literary journalism either title has done since the regimes change.
The New Yorker remains best in show. New York magazine is still very good, and will change some more once the Adam Moss imprint is gone and the magazine is fully David Haskell's. Jake Silverstein is killing it at NYT Magazine. The best-looking book around is another Times product, T Magazine.
Rolling Stone is still limping along.
Harper's, the Atlantic, 5280, the California Sunday Magazine are all good. National Geographic, Smithsonian, Outside, Texas Monthly. The same.
Adapt or die.
Well, I hope wherever Waylon ended up, he made a success of it.
I don't know if it's my Twitter feed or what, but the only places I regularly see stories recommended are The New Yorker, the Times Mag, the Atlantic, and Smithsonian. I haven't seen a GQ or Esquire story hyped in years, I don't think. The one shot Esquire had, the Bryan Singer story, went to the Atlantic.
Fielden was a massive foof.