Keystone said:
When crunch time came for his career a couple years later, that incident didn't help.
This is why most writers bite their lip and do the work - because they know if they don't they'll be branded as lazy, or not team players, or whatever other euphemism you want to attach to it. It's no-win for the writer. If you turn in more than 40 on your card, the response is, "aren't you competent enough to complete this in 40 hours?" If you don't work more than 40 and things don't get done, same thing. And if you play along and pencil-whip the 40, you get taken advantage of. I don't know if it's the same with other parts of the newsroom, but being in the "toy department" we're viewed with the labor-of-love colored glasses.
This was my experience. My first daily stop, I walked out of there with hundreds of hours of unpaid overtime. And I had made sure I was honest on my time sheets how many hours I worked. I wasn't pencil-whipping 40-hour weeks. Ultimately, I decided that if I took them to task, it would hurt me with future potential employers. Looking back now, I should have pursued it, just from the standpoint that they were so abysmally cheap. But then, every other paper I worked for, except one, was the same way, so my original line of thinking has merit. Anyway, I sat on it. Several years later, another reporter filed a complaint with the department of labor and they got nailed for all kinds of overtime pay.
Now, in my state, the labor law requires you to supervise two or more people in order to be considered salaried, with a list of noted exceptions, none of which fell in any newsroom I've ever seen. Here, they could probably lobby to have reporters included as professional, non-exempt jobs, but apparently tha hasn't happened. Comp time was required to be paid in the same pay period, I believe. These are points that vary from state to state. My state is a "right to work" state, so the rules are heavily in favor of employers.