Simmons declined to comment. Since his suspension, he has surfaced only in snapshots on his Instagram account — Simmons at the beach, Simmons on the golf course — seemingly designed to let ESPN know that he's enjoying his time off. But people close to Simmons say he is furious and has been talking a lot about whether ESPN is still the right place for him. He has threatened to leave ESPN before, but this is the most pitched moment yet in their fraught relationship.
Those close to Simmons said he feels that the company has changed significantly since he renewed his current contract in 2009. In the intervening years, John Walsh, the ESPN executive who gave Simmons his first assignment after reading a column in which he mocked the award show the ESPYs, has played a diminishing role in the company. John Skipper, another early Simmons champion, was elevated to president of ESPN.
While Skipper remains a strong supporter of Simmons, he has less day-to-day involvement with the company's editorial operations. It was not Skipper, but an executive vice president at ESPN who reports to him, Marie Donoghue, who called Simmons to inform him of his suspension.
Last week, Robert A. Iger, the chief executive of the Walt Disney Company, which owns ESPN, was asked about the controversy at a conference hosted by Vanity Fair magazine. Iger would only say that Simmons was taken off the air because his comments about Goodell, made in the thick of the Ray Rice domestic violence scandal, did not conform to ESPN's journalism standards.
If Simmons were to leave ESPN, he could move to another media conglomerate, such as Fox, or to a digital media giant like Yahoo or AOL. (He actually first made his name blogging for AOL for $50 a week.)
It seems more likely that Simmons would want to create a multiplatform business of his own. Hypothetically, anyway, it could include a production studio that makes sports films and documentaries for a distributor like HBO or Netflix; a podcast network; a website; and maybe a YouTube channel.
Simmons will have to weigh the profile, access and guaranteed salary he gets from ESPN against the uncertain promise of building something of his own.
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